TONE GODPLAYER中文Explore Player
GUITAR TONE WORKSTATION

TONE GOD PLAYER / v0.19.1

Your tone.
Your rules.

Load NAM amp models and IRs, then build your effects chain.
From rhythm drive and pitch shifts to ambient tails, give every part its own sound.

AMP / CAB / FX / MIDIMade for guitarists
01 / THE PLAYERStandalone · AU · VST3
TONE GOD Player with its black and gold amp, effects rack and signal routing
Amp and cabinet on the left. Effects on the right. Signal routing along the bottom.v0.19.1 interface render; some frame artwork is still being refined.
02 / BUILD YOUR SOUND

From amp models to ambience,
shape every stage.

Load your models and IRs. Arrange your signal chain.
Fine-tune your sound and switch it as you play.

01

Sampled amp models

Load amp models and shape them with Gain and amp EQ. A/B/C snapshots each retain their own amp and effect settings.

AMP MODELING
02

Cabinet and guitar IRs

Shape your sound with Guitar IR and Cab IR in WAV or AIFF format. Add IR Reverb to explore acoustic spaces.

IMPULSE RESPONSE
03

A flexible effects rack

35 effects cover drive, dynamics, modulation, pitch shifting and reverb. Add, duplicate and reorder them, then assign them to eight effects routing positions.

MODULAR EFFECTS
03 / INSIDE THE EFFECTS RACK

Choose a sound.
Find a new way to play.

From pushing an amp with Klon to pedal-controlled Power Shift. Start with a playing idea, then build the chain around it.

Actual TONE GOD Player v0.18.7 effects rack

Put the controls into your performance.

This app screenshot shows Power Shift, OD9, GRIND, Klon, Ring Mod, Parametric EQ, Dynamic Delay and Hall Reverb. Effect settings, pedal control and signal position all shape the rig.

Actual v0.18.7 app screenshot, shown as an effects-interface reference. Rack layout and appearance may differ in the current version.View the full app screenshot
DRIVE / BOOST

Klon

Shape drive with Gain, adjust brightness with Treble, and set Output to suit the amp input.

TRY IT
Start with low Gain, then raise Output and compare how the amp responds.
PITCH / TG SHIFT

Power Shift

Control pitch bends with pedal position, alongside harmony and detune modes. Choose from 21 modes to make pitch part of the performance.

TRY IT
Map an expression pedal with MIDI Learn and try a continuous bend from the original pitch to an octave up.
KEY / SCALE

Scale Harmony

Add a harmony voice with a selected key, scale and interval. Monophonic pitch tracking makes a clear single-note melody the place to start.

TRY IT
Set the song’s key, try a third or fifth, then balance the harmony against the dry signal.
RESPONSIVE REPEATS

Dynamic Delay

Repeat level responds to input dynamics, pulling back while you play and coming forward in the spaces between phrases.

TRY IT
Alternate short phrases with pauses to hear how the repeats sit behind the lead.
WARMER REPEATS

Analog Delay

Analog-style delay gives filtered repeats their own color. Set Time, Feedback and Mix to shape the rhythm and depth.

TRY IT
Start with a low Mix for a little depth, then increase Feedback to extend the repeats.
MODEL YOUR CHAIN

Pedal NAM

Load a compatible mono NAM pedal model into the rack, place it before or after the amp, and adjust Mix and Volume.

TRY IT
Compare placement before and after the amp, keeping an eye on input and output levels.

Effect descriptions reflect v0.19.1. The Analog switches on Klon, OD9 and GRIND are circuit-noise options. Sound and pitch-tracking behavior depend on the input, models and settings.

Explore all 35 effects

Drive & boost (8)

OD9
Drive, tone and output shaping
Klon
Gain, treble and output control
GRIND
Boost and preamp tone shaping
Germanium Fuzz
Germanium-style fuzz
Silicon Fuzz
Silicon-style fuzz
Tube Distortion
Tube-style distortion
Hard Clip
Hard-clipping distortion
Metal Distortion
High-gain distortion

Pitch & synth (5)

Power Shift
Pedal bends, harmony and detune
Transpose
Semitone transposition
Poly Shift
Upper/lower octaves and dry blend
Scale Harmony
Key- and scale-based harmony
Guitar Synth
Guitar synth tones

Modulation & wah (7)

Chorus
Chorus modulation
Phaser
Phase modulation
Flanger
Flanging
Tremolo
Rhythmic volume modulation
Rotary/Leslie
Rotary speaker effect
Wah Wah
Wah filter sweeps
Ring Mod
Ring modulation

Dynamics & shaping (6)

Opto Comp
Optical-style compression
VCA Comp
VCA-style compression
FET Comp
FET-style compression
Parametric EQ
Parametric equalization
Match EQ
Frequency-curve matching
Bitcrush
Bit-depth and sample-rate textures

Delay & space (8)

Digital Delay
Digital repeats
Analog Delay
Analog-style repeats
Dynamic Delay
Repeats that respond to playing dynamics
Spring Reverb
Spring-style reverb
Plate Reverb
Plate-style reverb
Room Reverb
Room ambience
Hall Reverb
Hall ambience
IR Reverb
Convolution reverb from IR files

Your pedal models (1)

Pedal NAM
Load compatible mono NAM pedal models
04 / MADE TO PLAY

Keep your rig in step with your playing.

TONE SNAPSHOTS

Three tones. One rack.

A/B/C share a rack and routing, with separate parameters, switches and model assets. Keep settings for different parts of a song in one workflow.

Interactive feature guide only; no audio playback or processing.
01 / CONTROL

Put control at your feet

Map knobs and switches with MIDI Learn, including adjustable ranges and reverse mappings. Use PC Learn to assign MIDI Program Change messages to A/B/C snapshots. Controller mappings stay with effects when you move them.

02 / PRACTICE

Practice. Audition. Compare.

Load and loop audio files, and use the tuner, Tap Tempo and metronome. The plugin can also follow a valid host BPM.

03 / SAVE

Save the whole rig

Save a preset or bundle your tone with its model and IR assets in a .tgpack, ready to edit again later.

05 / FIRST SESSION

Start with a guitar cable.

Start with an empty rig. Choose your models and build your sound.

  1. 01

    Set up your audio

    Select your interface and guitar input in the standalone Audio Settings. AU and VST3 audio is managed by your host.

  2. 02

    Load amp models and Cab IR

    Choose files in the Amp and Cab load areas, then adjust Gain, EQ and Output.

  3. 03

    Add effects and save

    Right-click the rack to add effects, assign routing, create A/B/C snapshots and save your preset.

06 / OUR STORY

TONE GOD
began with tone.

GUITAR TONES · AMP SAMPLING

TONE GOD, known as 痛神 in Chinese, was created by Mori (morimagic). It began with guitar tone creation and amp sampling. Tone packs remain at the heart of the brand, shaped by hands-on playing and recording experience.

That work has grown into tools such as TONE GOD Player and MIDI Bridge, bringing tone use and control closer to a guitarist’s workflow. Player carries that tone-making experience forward. MIDI Bridge is still in development and has not been publicly released.

SUPPORT DEVELOPMENT

Support TONE GOD Player development

USD 30 minimum · Pay what you want

Support development and get access to the v0.19.1-AI beta for macOS and Windows through Gumroad.

Support on Gumroad

USD 30 minimum; pay more if you wish. See the product page for package details and system requirements.

DEVELOPMENT / v0.19.1

The sound keeps evolving.

Current version: v0.19.1-AI. macOS and Windows x64 builds are complete.
Get beta access through the Gumroad support link above.

How can I use Player?

macOS includes standalone, AU and VST3. Windows x64 includes standalone and VST3, with all 20 automated tests passing. Physical audio interface, ASIO and DAW operation on Windows remain unverified.

Which files do I need?

Bring compatible amp model files; IRs support WAV and AIFF. Player starts without loading models or audio files automatically, so you can choose your own assets.

Can this website process guitar audio?

This is the TONE GOD Player product website. Use the Player app or plugin for live playing and audio processing.

Contact TONE GOD

Need help using Player, or want development and release updates? Contact us through our official social channels.